Naturally, a brave team of astronauts accepts the corresponding mission in space to save the Earth. In Moonfall, a mysterious force knocks the moon out of its orbit and puts it on a collision course with Earth. The film has already been released in the US and, although reviews have been fairly reserved so far, despite the spectacular special effects, there is one detail in particular that needs attention. The new disaster film “Moonfall” by German Hollywood blockbuster director Roland Emmerich (“Independence Day”, “The Day After Tomorrow”), which officially opens in German cinemas on February 10, has cost almost 140 million of dollars. When will ‘Moonfall’ premiere on HBO Max? This is something that is lost as the minutes go by until there comes a point where Emmerich takes a leap into the void without a net, this being where that cocktail of nonsense and drama that he proposes at all times works the worst.
It’s not that it’s memorable -and I suspect there will be those who see it as boring because he’s just watching the movie to see non-stop destruction-, but it’s also not stupid enough to take it as a joke or so grandiloquent that it becomes tiresome. Perhaps that is why it is then that everything is more dynamic. And it is that the presence of the visual effects is smaller during its first hour, trusting that its characters are the ones that engage the public. Something remarkable happens there, too, since ‘Moonfall’ is probably not as spectacular as one would expect from a blockbuster costing nearly $150 million. It is also through him that it becomes clear that this new feature film by the director of ‘The Day After Tomorrow’ is not as interested in verisimilitude as it is in entertainment, because otherwise it may have a slightly pimpish point with Patrick Wilson channeling his Chris Pratt interior, but little else. The curious thing is that this also limits ‘Moonfall’, since its appeal as entertainment is never explored in depth, relying mainly on the conspiracy theorist played by John Bradley, who you may know more for his role as Samwell Tarly in ‘Game of Thrones’. The film then has enough energy so that one does not get bored and also pays a little more attention to its characters, probably because it wants to play the trick of having familiar faces that can raise the public’s interest in what happens on screen. That impossible mix is something that ‘Moonfall’ manages to balance with some fortune during its first two acts. It is as if he wanted to be ‘Deep Impact’ and ‘Armageddon’ at the same time, completely disregarding any scientific logic in the mission to try to save the Earth and in parallel influencing its most tragic side for what seems completely inevitable. There is something curious that happens in ‘Moonfall’, and that is that Emmerich plays the trick of drama and nonsense at the same time. Where to see the movie ‘Moonfall’ in 2022 I’m not going to say I was charmed by her, but there is something refreshing about her complete lack of shame. After the bad experience with ‘Independence Day: Counterattack’, I was afraid that the same thing would happen to me with ‘Moonfall’. I admit that I’m tired of ‘2012’, a much less entertaining movie than it should have been and of which I only remember with some fondness the brief appearance of Woody Harrelson. The pleasure of destruction: the 13 essential films of catastrophe cinema That’s not necessarily a bad thing, but it doesn’t invite you to be anxious to see it either. It has reached a point where it seems that all these blockbusters are more than necessary and surely you have heard more than once refer to ‘Moonfall’ as a kind of great success of the films about the end of the world of Emmerich. Something that has against it is that this type of film has lost its category of event. The Emmerich model has been losing ground among the public ever since and I wouldn’t be surprised if ‘Moonfall’ was his last contribution to disaster movies. In its own way, it could be said that this type of film reached its peak with ‘2012’, still today one of the highest-grossing films of all time that is not part of a franchise or is an animated production. At least that indicates his puncture at the US box office.
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There are few Hollywood blockbusters Moonfall Movie Streaming Release Date: HBO Max, Disney Plus that have not worked below expectations in recent times and everything indicates that ‘Moonfall’, Roland Emmerich’s return to catastrophe cinema, is not going to be an exception.
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